Showing posts with label book recommendations. Show all posts
Showing posts with label book recommendations. Show all posts

2/07/2012

A Northern Light Review

A Northern Light
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Sometimes when authors place fictional characters in the company of real historical figures the result is laughable or strained. Too often a child figure will suddenly find his or herself in the presence of (oh say) Abraham Lincoln and will teach the great man about following his childlike instincts or some other such goo. This is not to say that historical figures and situations are at odds with children's literature. I just want to make it clear that it's rare to find a really clever and believable situation in which the real and the unreal mix. "A Northern Light" is one such rarity.
In this book, heroine Mattie Gorkey lives two different narratives. In one story, she's working at a fancy hotel in the Northern Woods in 1906. A young woman vacationing at the hotel was recently discovered drowned in a nearby lake. Weighing on Mattie's conscience is the fact that just the day before the girl had entrusted her letters to our heroine with strict instructions that they be burned. Mattie has not burned them yet. The second narrative takes place several months before the exciting events at the hotel. Here we learn far more about Mattie's background and her love of literature and writing. With a mother recently dead and a family of five to care for, Mattie's great dream is to attend Barnard College in New York. Unfortunately, her pa is anything but receptive to the idea and there's a cute boy hanging around who seems to be giving Mattie quite a bit of attention. Focusing on her own dilemmas with the caring but somewhat close minded society in which she lives, Mat must figure out who she is and what is most important to her in the end. Mixing fiction with the historical events surrounding the 1906 Grace Brown murder case, the book effortlessly combines the two stories without so much as a hitch.
Author Jennifer Donnelly has given herself a surprisingly difficult task. How do you write a historical figure, particularly a female, and make her independent without making her seem like a 21st century girl in an early 20th century world? How, in other words, do you make her believable? Make no mistake, Mattie is a very believable character. So believable, in fact, that I found myself wanting to throttle her from time to time. I mean, she's a teenager, so we have to make allowances for her behavior. If she goes all doe-eyed over the local brick-headed swain, that's only partly her fault. Just the same, I suspect readers everywhere will be sometimes screaming in their heads at this character when she tries to decide what to do with Grace's letters or her own life. As for the melding of Mattie's story with that of Grace Brown's, it's seamless. Almost as if the events told here are the hard boiled truth. Still, it's a pity that the details of Grace's life don't parallel perfectly with Mattie's. The final decision made at the book's end would make a little more sense had Grace been similar to Mattie in personality or living situation. As it is, it's not entirely clear where Mat draws her final conclusions about living and life from. But these are small potatoes. There is no doubt left in the reader's mind at the end that the book is effortlessly written.
Fans of Elizabeth Taylor's great film, "A Place In the Sun", will see definite similarities between the murder in this book and that movie. That's because both works were based on an actual trial that inspired such works as Theodore Dreiser's, "An American Tragedy". But this isn't just a younger version of an already existing tale. "A Northern Light" stands on its own as a remarkable and well-told tale of one girl and her search for (for lack of a better word) fulfillment. It's a gripping story as you read through, not certain in the least that Mattie will do the right thing at the right moment. Bound to raise a fair amount of discussion and debate. A nice new novel.


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11/30/2011

The Prentice Hall Dictionary of Culinary Arts: Academic Version (2nd Edition) Review

The Prentice Hall Dictionary of Culinary Arts: Academic Version (2nd Edition)
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This book is a great reference tool for culinarians who are jsut starting out or people who want to be able to look up this they hear on Iron Chef on TV.

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This unique exceptionally comprehensive dictionary contains over 25,000 entries covering food identification, preparation and cooking methods, nutrition, sanitation, tools and equipment, wine, beer and spirits, cigars, international foods, food chemistry, historical and cultural terms, hospitality terms and prepared dishes.Authoritative yet concise entriesAccurate use of capitalization and accent marksSimple, alphabetical listing for all entries, including abbreviationsExtensive cross-references285 line drawingsEasy to read typeface and formatPhonetic pronunciation guidesAdditionally, there are14 appendices covering areas such as: metric conversions, measurement equivalents, commonly used international terms, sugar cooking temperatures, oversized wine bottles and more!

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9/05/2011

Garlic and Sapphires: The Secret Life of a Critic in Disguise Review

Garlic and Sapphires: The Secret Life of a Critic in Disguise
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Ruth Reichl's Garlic and Sapphires, an account of her years as restaurant critic of the New York Times, is simultaneously hilarious, refresing and poignant, altogether a five-star read in the light memoir category.
The hilarity comes from Reichl's penchant for donning elaborate disguises, the better to assure anonymity in assessing New York's most prominent eateries. These incognita excursions allow Reichl to skewer the pretensions and omissions of such well-known restaurants as Le Cirque and Tavern on the Green.
Garlic and Sapphires sets a refreshing tone due to Reichl's insistence on recognizing excellent dining in all of its venues, from humble ethnic restaurants to New York's most elegant establishments. Reichl's penchant for ferreting out little-known gems earns her the opprobrium of Bryan Miller, her predecessor as the Times's restaurant critic, and his supporters, all of whom charge Reichl with "letting down standards". But the many New Yorkers who experience life without expense account or trust fund appreciate her excursions to the wrong side of the tracks to identify dining delights.
Most important, Garlic and Sapphires provides a poignant look at what it is like to be too old, too unfashionable, or too poor to fully take part in the glories of the Big Apple. Reichl's disguises frequently place her in one or more these overlooked groups, and she provides a sensitive picture of what it is like to be marginalized-- not only by headwaiters at four-star dining establishments, but by society. One hopes that Reichl's tenure as Times restaurant critic made top restaurants more likely to treat all of their patrons with dignity and respect.
Garlic and Sapphires led me to develop the following advice for restaurant patrons:
--As Reichl notes, restaurant preferences are subjective. Go to the places you enjoy, rather than the places fashion dictates.
--Restaurants are there to serve you. If you are unhappy about food or service, speak up-- preferably to a manager, if your waiter or waitress hasn't dealt with the problem. Above all, don't be intimidated. If you need instruction on what fork to use or what wine to order, you should be able to ask without embarrassment.
--You are especially entitled to fine service and cooking in a top restaurant-- don't let the establishment off the hook. If you have arrived on time for your reservation (or called ahead to notify the restaurant if you are delayed) and behaved courteously, any lapses in food or service reflect a deficiency in the restaurant, not a deficiency in you.
--At least in the U.S., tips are discretionary. If you're not happy, reduce the tip accordingly. Feel free to advise your friends of the restaurant's shortcomings. And fortunately, you're not a critic who must return to give the establishment a fair chance. If you're not happy, you need never darken its doorstep again.
One final piece of advice-- if you enjoy books about the food world, read Garlic and Sapphires.


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6/06/2011

Moonlight Hotel Review

Moonlight Hotel
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Veteran war correspondent Anderson sets his second novel amidst the U.S. diplomatic community in a small fictional quasi-Arab backwater, circa 1983. I had enjoyed Anderson's non-fiction book about abducted aid worker Fred Cuny several years ago, and since I grew up in the Arab world in the '70s and early '80s in the U.S. diplomatic community, this new book interested me. In it, the fictional Kingdom of Kutar is an insignificant former British colony somewhat reminiscent of Oman or Yemen, with sparsely populated desert and mountains receding from the sleepy coastal capital. The story centers on David Richards, a 30-something USAID representative who splits his time between the day-to-day routine of embassy life and project management, and seducing stray expat women. The opening chapters set up his life as enjoyable, but somewhat devoid of meaning. He is roused from this torpor when, on his way back from a trip to the mountains to check on a water exploration project, he witnesses a surprising escalation of unrest from rebels who have been sporadically sparring with government forces since the end of British rule. It doesn't take long for a little unrest to snowball into major problem thanks to the incompetent meddling of the embassy's U.S. military attache and subsequent NATO intervention on the side of the government.
This is where the book stumbles just a bit. Up until here, Anderson has built a very solid fictional setting, along with a fairly astute observations of diplomatic life in a global backwater, and a cast of believable, if not entirely interesting, characters. However, the book veers from compelling drama into tragicomic farce with the introduction of Major Munn. The belligerent little Texan is so over the top, the only comparison that comes to mind is a unholy mix of Gen. Buck Turgidson and Gen. Jack D. Ripper (the George C. Scott and Sterling Hayden characters) from the film Dr. Strangeglove. And since it is Munn's enthusiastic idiocy that leads to all the tragedy that follows, one wishes Anderson had made him a more nuanced and plausible agent of change instead of "newspeak"-spouting cartoon figure.
In any event, before long, the rebels have got heavy artillery on the ridges surrounding the capital (rather like the Serbs and Sarajevo, one of the hotspots Anderson has reported from). When the rebels order all foreigners to leave the capital, David volunteers to stay behind as the U.S. representative, along with a longtime British resident diplomat, and a handful of others including a cynical war correspondent, an ancient MIddle European countess, an Italian businessman, and a beautiful woman who is the Western-raised granddaughter of a northern tribal chieftain turned millionaire (guess which one eventually shares David's bed?). This motley group make the once-grand Moonlight Hotel their home during the weeks of siege that follow. As the rebels sporadically rain artillery, mortar, and sniper fire onto the capital (very much like Sarajevo) and morale crumbles, David and the British representative shuttle around to various ministries and attempt to broker some kind of solution with vague and/or contradictory guidance from Washington and London.
Although the communiques from the State Department to David are rather over-the-top examples of bureaucratic double-talk, this section is where the book really shines. Anderson displays how haphazard policies initiated by the U.S. can lead to huge suffering and loss of life on the other side of the world, with very little stateside media attention or consequences for decision-makers. As David comes to realize that his government has created a mess only to utterly abandon it, his outrage and frustration grows until his conscience compels him to take a stand. This transformation isn't wholly convincing and is kind of cliche -- it seems rather implausible that any Foreign Service officer would make it to their mid-'30s without already come to the various realizations that he does over the course of the story. It doesn't help that David's ultimate "bold move" wouldn't actually be possible in real life (this involves his accessing $7,000,000 in the embassy safe, a figure that is about ten times the real amount an embassy of that size would have had on hand).
The book has a number of other minor flaws that make it a step down from outstanding. The shifts in tone between straight drama and farcical satire don't work very well, and as a protagonist, David isn't particularly compelling. His relationship with the wealthy Kutari woman seems kind of pro forma, and a backstory about his brother's death in Vietnam doesn't add the depth it's clearly meant to. Still, in most respects, Anderson writes with authenticity and insight about the era in which America's diplomats became subordinate to its military, with all the shameful real-life suffering and consequences that shift continues to result in.

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5/11/2011

Grand Hotels: Reality and Illusion Review

Grand Hotels: Reality and Illusion
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This book represents a good historic insight to hotels and their development in the worlds regions. As an hotel industry professional, I find the details of yesteryear a delight recorded in this well planned and illustrated volume. The book shows a slight bias toward the English tradition but as Elaine has clearly researched some of Englands older towns and cities, it is charming to see how grand the home market was. The selection of the international hotels misses many of those hotels that I would consider of the Grand genre but that gives Elaine a reason to write the next volume.

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5/03/2011

Grand Hotels of the Jazz Age: The Architecture of Schultze & Weaver Review

Grand Hotels of the Jazz Age: The Architecture of Schultze and Weaver
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This is a very enjoyable look at the grand hotels built between World War I and the Depression, filled with wonderful photos, plans, and other descriptive details from a very expansive and optimistic era. Highly recommended for architecture buffs.

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The Breakers, the Waldorf, the Biltmore, the Sherry, the Pierre-these landmark hotels are synonymous with grand luxury and style. When they were built, in the 1920s, their refined elegance and grandeur set the bar for hotels and resorts the world over. Responsible for creating these and countless other hotels throughout the United States, were the partners of a single architectural firm: Schultze & Weaver. Together, this duo-an architect and an engineer-virtually invented the glamorous lifestyle made famous in films like Grand Hotel. Catering to the social elite of which they were themselves a part, Schultze & Weaver synthesized the Old World style of Renaissance Italy, Moorish Spain, and Georgian England with all of the modern amenities that made hotel living luxurious. This book presents portfolios of fifteen of the firm's most spectacular hotels, culminating in the Art Moderne masterpiece of the Waldorf-Astoria. Over two hundred period photographs and hand-colored architectural renderings chart the ascent of the American hotel in all its glory and glamour, before the Great Depression forever changed the lifestyles of America's rich and famous. Essays address the cultural and technological developments that underpin the creation of resort and residential hotels, including the elemental role played by Schultze & Weaver. This book is published in conjunction with an exhibition at the Wolfsonian-Florida International University, Miami, held in celebration of their tenth anniversary.

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3/20/2011

Hotel Pastis: A Novel of Provence Review

Hotel Pastis: A Novel of Provence
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"A Year in Provence" is one of my all-time favorite books. I spent a semester in Aix-en-Provence when I was in college and fell in love with the region . . . and Mr. Mayle does a wonderful job of bringing the tastes, smells, sights, and sounds of Provence into your living room. "Hotel Pastis" is his first (I believe) work of fiction set in Provence, and it does not disappoint. The story succeeds on so many levels, the characters are described so well that you expect to recognize them walking down the street. Mr. Mayle's talent is in creating these characters, and richly describing them so perfectly, without rambling on for pages on end. The prose is never boring, the story is always jam-packed and exciting, the characters always have so many different levels and layers, and they are all somehow interconnected with each other. The book is fun -- you aren't going to find anything serious or thought-provoking here -- and absolutely wonderful. "Hotel Pastis" is like vacationing in Provence -- it is an enjoyable experience, and you will find yourself re-reading it so you can re-visit with an old friend. I highly recommend it!

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