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(More customer reviews)Nichols gives a nostalgic retrospective on the long live and prodigious output of Wayne McAllister. In no small part, the book walks the reader back through the last 60 years of urban commercial architecture in the southern California region. McAllister lived a very long time, and he was responsible for designing iconic landmarks that at least in the hazy afterglow of memory, epitomise a classic time.
The book is replete with many photos and illustrations, the cover being an example of the latter. The most common image, if not exactly the most enduring, is Bob's Big Boy. I remember in the early 80s, when I arrived in Los Angeles, how these fast food restaurants and their mascots were everywhere. Even getting a cameo role in Terminator. Alas, as the years wore on, the Bob's Big Boys got steadily deprecated. Not many left.
Another type of McAllister's work has also fallen into the tar pits of history. He designed many of the drive-ins that dotted Los Angeles. And which were an indelible part of many teenagers' experiences. Sadly, most are long gone, brought down by the VCR and its successors. At least in the book, you can see several as they once were, at the peak of their glory. Actually, no matter how pretty the architecture, the sound was often bad, the food dreadful, the movies second rate and the nearby cars often had loudmouths.
Great book. But for some readers old enough, there is a certain bittersweet tinge to all this.
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The work of late commercial architect Wayne McAllister (1907-2000) is responsible for much of the character of Southern California today. His Fred-and-Ginger nightclubs and glinting-steel-and-blazing-neon circular drive-ins brought Hollywood to life. His Sands Hotel in Las Vegas became the home of the Rat Pack; the mythology of Frank Sinatra, Dean Martin, and Sammy Davis Jr. owes a great deal to the swank glamour of the Copa Room and the Sands Hotel, one of McAllister's finest.
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