1/03/2012

Troubles (New York Review Books Classics) Review

Troubles (New York Review Books Classics)
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Originally published in 1970 and newly reprinted, Troubles, the story of Ireland's fight for independence from 1919 - 1922, illuminates the attitudes and insensitivities which made revolution a necessity for the Irish people. Farrell also, however, focuses on the personal, human costs to the residential Anglo-Irish aristocracy as they find themselves being driven out of their "homes."
Edward Spencer, a conservative Protestant loyalist, runs a decaying 300-room hotel on the coast of County Wexford. Regarding himself as a benevolent landowner, he nevertheless demands total submission of his tenants and the signing of a loyalty oath to the King. His ironically named Majestic Hotel, lacking maintenance during the war and its aftermath, is now too costly to repair. When British Major Brendan Archer, newly released from hospital, arrives at the Majestic to reintroduce himself to his fiancée Angela, daughter of the proprietor, the reader quickly sees the Majestic as the symbol of a faded aristocracy which has outlived its usefulness. The windows are broken, the roof is leaking, and decorative gewgaws and balconies are hanging loosely, threatening to crash. Walls, floors, and even ceilings, are swelling and cracking from vegetation run wild, and the hotel's ironically named Imperial Bar is "boiling with cats," some of which live inside upholstered chairs and all of which subsist on a diet of rats and mice. Irish rebels live just outside the hotel's perimeter.
With wry humor and a formidable talent for description, Farrell conjures up nightmarish images of life in the hotel, selecting small, vivid details to make the larger thematic picture more real. Homely details enlarge his canvas and bring his symbolism home to the reader as the rebellion by the Irish poor continues to grow and affect life within the microcosm of the Majestic. The reader's feeling of claustrophobia and the need to escape builds, and one is not surprised when violence strikes.
By injecting small news stories throughout the narrative, Farrell informs the reader about the progress of the rebellion. He also sets up global parallels, widening his scope by reporting problems in India, South Africa, and other parts of the Empire, along with the Chicago Riots and the Bolshevist attacks in Kiev. Humor and sometimes satire leaven even the most emotional moments, and Farrell paints his characters with a broad brush which makes one constantly aware of their absurdity. Clearly delineating the emotional issues behind the drive for Irish independence, Farrell makes the reader see both sides with empathy. When Edward and the Major finally begin to shoot the Majestic's cats in preparation for a large ball, the reader is prepared for a final round of violence at the Majestic and almost welcomes it. Mary Whipple

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Major Brendan Archer returns from the Great War to claim his fiancee, whose family owns the Majestic Hotel in Kilnalough, Ireland. She is strangely altered, however, along with the hotel, which is in spectacular decline — cats roam its upper stories, the Palm Court is a jungle, and the last guests are little old ladies with nowhere else to go. Outside the formerly grand hotel, the British Empire also totters. There is unrest in the East, and Ireland itself senses the mounting violence of its "troubles." J.G. Farrell is the author of The Siege of Krishnapur, winner of the Booker Prize. "Remarkable.... Mr. Farrell deserves high praise for this novel. It is subtly modulated, richly textured, sad, funny, and altogether memorable." — The Times Literary Supplement

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