4/27/2011

The Haunted Hotel Review

The Haunted Hotel
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Reading a novel by Wilkie Collins requires substantial time, but my investment is usually well rewarded. His lesser known novel, The Haunted Hotel, is uncharacteristically short, and is an easy way to become acquainted with Wilkie Collins. The Haunted Hotel offers a fast moving, tight plot that maintains the reader's interest. It is a mystery story, a ghost story, and an early psychological thriller, all melded smoothly together.
The story begins in London, but later moves to the modern Venice of 1860. The dark, wet waterways and aging palaces provide an ideal setting for a mysterious death and a possibly related disappearance. Suspicion there is, but evidence is sparse. A threatening apparition indirectly hints at further clues.
The psychology component revolves around the Countess Narona, one of the most memorable characters created by Collins. The seemingly amoral Countess foresees, or believes she foresees, her eventual punishment and doom for previous evils. Her obsession leads her step by step toward the very retribution that she hopes to avoid.
The Haunted Hotel - A Mystery of Modern Venice was first published in 1879. I recommend buying the inexpensive Dover edition (ISBN 0486243338). Dover also reprints other books by Wilkie Collins, including The Moonstone, The Lady in White, The Dead Secret, Basil, No Name, and others. Through these works Wilkie Collins is credited with having popularized the classic detective mystery story.

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This is perhaps Collins’ last lucid effort before ill health and opium drained his powers. A tale of ghostly terror, relentless pace, tight narrative, and a doomed Countess characterize and distinguish this powerful Collins novelette.--This text refers to an out of print or unavailable edition of this title.

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