The Fountains of Bellagio Review

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(More customer reviews)This book is the closest you can come to the "real thing" without really being there. With a true insight to the make-up of The Fountains of Bellagio, the book provides the intimate details to this magnificent artistic production. The photos in the book (most of which are color) are stunning and highlight the parts we like the best in the show. The detailed information, along with the trivia makes us feel like we are privy to the inner workings of something incredible. Nothing can compare to the emotion we feel viewing the actual fountains, but this is a great second!

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Introduction According to the laws of physics, water occurs in three states—liquid, solid (ice) and gas (mist or fog). But watching the Fountains of Bellagioä, it is quickly apparent that science occasionally must give way to poetry, even when describing the physical aspects of water. Here water exists as music, swaying like a dancer's arms, rising in a gasp of towering columns or sudden staccato bursts. Here water is a lattice of light, it wreathes the air, shimmies playfully as a showgirl and fans out as a wall of white like the sails of a tall ship blown suddenly full and fast. Here water requires words usually more often associated with mood and personality: majestic, flirtatious, romantic, regretful, and stately even witty.The fountain is inevitably used as a metaphor for joy. Leaping waters, currents that cascade and dance, these images are as close as many of us come to seeing what is more often felt—the surge of exultation, the flutter of love, the geyser of sudden joy. Yet it is not in the molecular nature of water to leap or dance; it is heavier than air and inanimate. To achieve movement, it must be acted upon by an outside source greater than itself—gravity, or the tug of the moon, heat or a sudden rush of air. The Fountains of Bellagio were designed to be superlative, and not just in size. The people creating them wanted to bring sophistication and stateliness to a place better known for glitz, to embody the full spectrum of culture, from Technicolor musicals to Italian opera. They wanted to embody music that over the years has burrowed deep into the collective imagination, the collective heart. So leaving things up to gravity, or even the prevailing water jet technology, wasn't going to do it. The basis of the work was elemental—water, air, sound and light. But everything else had to be coaxed into existence. Many forces mustered to act upon these waters—fountain designers, engineers and dancers, computer geeks, composers and musicians, scientists and divers, all focused on figuring out how to move the fountains so they, in turn, would move you. Water is not the only thing at work in a fountain; like joy, it requires a confluence of many things: patience, hard work, a lot of luck and a little magic.

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Double or Nothing: How Two Friends Risked It All to Buy One of Las Vegas' Legendary Casinos Review

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(More customer reviews)... to the "college lit" crowd: the internet, gambling, and reality TV.
Tom Breitling and Tim Poster first pioneered a visionary approach to online hotel room sales, and then sunk their profits into the same resort that launched Steve Wynn's career: the venerable Golden Nugget. The latter adventure was recorded by the producers of *Survivor* -- and this is where the story takes a particularly human, uniquely 21st century turn. Breitling laments a professional and personal life lost to the condensed and overly dramatic needs of reality television, and his genuine disappointment upon seeing the finished (and nationally televised) product gives this book an honest and thoughtful tone.
Another element I enjoyed: this is an author who clearly gets Las Vegas, and who obviously has deep admiration and affection for the place. The book is filled with behind-the-cultural-scenes glimpses of the Las Vegas community (and no, that sentence contains no typos: Las Vegas indeed has both a culture and a community).
Contrast this with the recently released *Winner Takes All,* which belongs firmly in the "loathing Las Vegas" literary tradition. An uncritical read of *Winner* leaves you with the impression that all of the city's key players are actually losers -- or at the very least, they all engage in self- (which is to say Las Vegas-) loathing introspections. Breitling's tale, on the other hand, reveals a very human, very decent, and very proudly Las Vegas story -- albeit one that exists beyond the reach of the typical narrative woven by the city's critics.
This book deserves a place atop the college lit bestseller list, in the tradition of *Bringing Down the House* and *Moneyball.* It shares the a "generation next" Las Vegas theme with the former book, and it shares with the latter one a different analytical lens to appreciate the complex intersections of the internet and 21st century tourism.

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The Unofficial Guide to Las Vegas 2010 (Unofficial Guides) Review

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(More customer reviews)I purchased this along with Fodor's Las Vegas 2010 and Frommer's Las Vegas 2010. This book has the most pages. They break down everything in terms of a rating, price, etc. for shows they tell you the slowest time of the week for the show, the length of the show, as well as a description. It breaks down the top restaurants and buffets.
This book has information regarding shows, hotels, restaurants, nightlife. There are little tips here and there but none i found that i didn't already really know.
What I don't like is that there are no pictures--and there are very few visual breaks for me so sometimes the pages can be a bit overwhelming. I loved the Fodor's book the best for layout and pictures as well as side trip information.
The difficulty in rating is that there are some things I like about Fodor's better and it gives better information and some things I like about this one better--this one has more information about buffets--which kind of excite me. I'm wondering if the only thing i will be doing is eating!
After looking at Fodors and this book over and over, it really has become more of a tie for me between the two. Frommers on the other hand is clearly not on par with either of these books and provides the least amount of information on everything.
If you are only looking to be in Las Vegas, then this is probably the best book. If however, you are like me and also wanting to do day trips or side trips, I would also purchase Fodor's Guide to Las Vegas 2010 as it has a lot more information about those. (63 pages on side trips--as opposed to 6 pages in this book).
I hope this help you make a decision on which book is best.
I learned from this book about the "M" casino that has an excellent buffet for fairly inexpensive. it is a little south of the strip so a lot of people don't know about. so far, it is our favorite buffet. although we will be going to Wynn soon because they are suppose to have an excellent buffet also.
I highly recommend buying and reading at least 1 of these guides--this or fodor's as there is so much information that you may not find out if you just come.

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In 2008, Las Vegas hosted 37.5 million visitors according to the Las Vegas Convention and Visitors Authority.
Global Travel Industry News and Forbes Traveler rank Las Vegas as the #2 most popular U.S. destination to visit calling it "America's favorite playground".
The Unofficial Guide to Las Vegas ranks over 100 hotels and casinos- the most offered by any other guidebook for the destination, providing complete detailed descriptions of each casino hotel.

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Howard Hughes: Power, Paranoia & Palace Intrigue Review

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(More customer reviews)More than four dozens books about Howard Hughes have been published since the 1960s. It would seem that there's little more we can learn about his life. Why, then, should you bother to read another book about Hughes? Because, in addition to being well-written and entertaining, it's the most exact summary of his documented life to date, and because it also has some thoughtful theories on mysteries that still swirl around the erstwhile aviator.
Schumacher's book is a hybrid. In some regards, it's a synthesis of the plethora of previous Hughes works. Schumacher combed through what must have been an endless array of news clippings and tomes of Hughesiana. But he also availed himself of rare and unique primary sources at UNLV Special Collections, the Nevada State Museum and Historical Society, and the treasure troves of private collectors. His thoroughness definitely shows. I doubt there's much about Hughes-particularly his four Las Vegas years-that Schumacher doesn't touch on.
The book starts with a quick summary of Hughes B.V. (before Vegas), then discusses his lesser-known earlier stays in Las Vegas, including his 1943 Lake Mead crash and his purchase of the "Green House," which is still intact on the land of KLAS-TV, in 1953. Then he brings in the story of Hughes' right hand, Bob Maheu. Maheu's story has been well-documented, but seems to gain something by being placed in the context of Hughes.
Here's where business really starts to pick up. As the Hughes roller coaster inches higher up the initial slope, Schumacher stops to describe "what Vegas saw" with a quick chronological survey of contemporary media coverage the Hughes Las Vegas years (1966-1970). The he dives into the real substance of the book-detailed chapters on Hughes in Vegas. These run the gamut from profiles of significant figures such as Hank Greenspun, Paul Winn, and John Meier, to discussions of key topics: the Clifford Irving hoax biography, the Palace Coup that brought Maheu down, and the sometimes-outlandish fight over the estate in the face of competing Hughes wills, none of which was proved authentic. Melvin Dummar's tragicomic tale-more tragedy than comedy, it now seems-gets ample space, and probably its best analysis yet.
Schumacher then jumps tracks, switching from biographer to critic with a section called "Hughesiana" that features a mix of non-Vegas profiles (Jane Russell, Rupert Hughes, and the RKO fiasco) and extended takes on "Weird Tales" (obscure Hughes texts) and "the Fictional Hughes," which is an up-to-date consideration of the reams of paper and reels celluloid fantasy that Hughes has inspired.
The book's key strength is Schumacher's attention to detail and thoughtful use of his sources. Without an axe to grind, he is able to write a dispassionate book about the eccentric billionaire, a decided rarity. One of the mavens quoted on the back cover commented that few Hughes books are "as lucid as this one." I think that is an astute judgment by an extremely insightful critic. Since Hughes was far from balanced, he invites wild speculation and still, more than thirty years after his death, an almost messianic fervior. Schumacher immersed himself in his sources without becoming captured by them-a hard task, indeed, where Hughes in concerned.
If you enjoy books about Las Vegas, I'd say that there is room in your library for this book. Unless you are a Hughes-obsessed maniac, I guarantee that you'll learn something new from it, and you'll probably find, as I did, that Schumacher is able to make some intelligent guesses that make sense of some of the enigma surrounding Hughes-the Mormon will saga, in particular. Barring the discovery of authentic new documents or revelatory confessions from heretofore silent associates, this book will likely be the last word on Hughes in Vegas.

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The Unofficial Guide to Las Vegas 2009 (Unofficial Guides) Review

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(More customer reviews)I've been a fan of Bob Sehlinger, the author, ever since I first discovered his other book, The Unofficial Guide Walt Disney World 2009 (Unofficial Guides). Since I was planning a trip to Las Vegas, I decided to buy this guidebook even though I'd been to the city many times before. Partly I was curious to see if this would live up to his WDW book, and partly because I wanted input on planning which shows to see, which restaurants to visit, etc. I've broken my comments on each major section of the book into separate paragraphs below.
Hotels: This section is kind of an odd grab bag of information. The author has an extensive list of covered hotels and offers a write-up of each one. Yet the information covered is often more of a general description than a true critique that would help the average traveler. For example, the Wynn Las Vegas receives three full pages of text but in all of that, there is virtually nothing said about the rooms. When reading these entries, it's more similar to how a novelist would set a scene than how I would expect a travel writer to critique a hotel. There is a chart that shows an overall rating for the hotel as well as a room rating, but no details are offered.
Restaurants: There are far too many restaurants in Las Vegas for any guide to review them all in depth but the author does a good job of breaking down your options at the major hotels. Beginning with summarized lists that show favorites by category, coverage then shifts to more detailed write-ups for each location in alphabetical order. Each restaurant receives ratings for quality, value, and an overall score. In addition, there are helpful comments. This section is very helpful.
Entertainment: There is a chart that ranks all shows in order of entertainment value followed by detailed write-ups of each show with ratings broken down by age group. This is by far the best coverage of shows that I've seen in any of the Las Vegas guides. Given the cost of tickets to these extravaganzas, this section alone is worth the price of the book as it can steer you to a great experience or help you avoid a less worthy show that you might have been considering.
Nightclubs: This section is not as comprehensive as those listed above, but it is still quite good. There are no ratings, but there are detailed reviews and tips for each of the major clubs. I don't spend a lot of time on this because I'm not a clubber, but this is at least as much coverage, and probably more, as I've seen in the other guides.
Gambling: This is the only Las Vegas guidebook that I have seen with a whole section devoted to teaching the basics of gambling. I'm not sure how seriously to take the advice since I definitely feel they overstate the difficulty of playing blackjack. Overall, it's nice that they included this, but it's no substitute for a good book on the subject.
Other: The Unofficial Guide does a decent job of covering all the miscellaneous bases. Attractions such as the Star Trek Experience at the Las Vegas Hilton get solid reviews that will help you decide whether it's your cup of tea or not. The Liberace Museum, however, is almost buried in the back with a single paragraph of coverage. All in all, I would say that these items are covered better in the Frommer's guide and if they are a big priority to you, it will be something of a black mark against this book.
Overall, it's easy for me to recommend this book. I spent quite a bit of time going through Frommer's Las Vegas 2009 (Frommer's Complete) and Fodor's Las Vegas 2009 (Fodor's Gold Guides) and this is much more comprehensive. It does have some weaknesses, however, and they are worth considering. The worst flaw is the nature of the hotel coverage. While a good many pages are devoted to it, detail on rooms gets short shrift. Still, this is Las Vegas and people generally don't come here to spend a lot of time inside their rooms so maybe you really do care more about the casino, lobby, etc. on which a lot of the author's prose focuses. A more minor quibble is the coverage of miscellaneous attractions but this is still pretty solid for the most part. If The Unofficial Guide to Las Vegas isn't quite up to the level of the author's Walt Disney World guide, that's not really a crime. The key is how well it stacks up to other Vegas guides and the answer is very well indeed. I give it four stars and a strong recommendation. I'll hold the fifth star for the edition where hotel coverage is strengthened a notch.

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More than 4 million copies sold! This series is the only one that offers evaluations based on reader surveys and critiques, compiled by a team of unbiased inspectors.
• Hotels, attractions, and restaurants in all price categories
• Extensive information on shopping, nightlife, and sports
• Easy-to-use, two-color design
• Detailed, 2-color maps

From the publishers of The Unofficial Guide® to Walt Disney World®"A Tourist's Best Friend!"-Chicago Sun-Times"Indispensable"-The New York TimesFive Great Features and Benefits offered ONLY by The Unofficial Guide®:* Over 100 hotels and casinos rated and ranked - the most offered by any guidebook - plus proven strategies for getting the best rate* Complete detailed descriptions of each casino and casino hotel* In-depth critical reviews of Las Vegas' 60 best shows and 30 top nightspots - the most offered by any guidebook* Detailed reviews of more than 100 restaurants - a complete dining guide within the guide, plus the best buffets rated and ranked* Fifty pages of gambling tips from how to play, recognize sucker games, and cut the house advantage to the bone

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Storming Las Vegas: How a Cuban-Born, Soviet-Trained Commando Took Down the Strip to the Tune of Five World-Class Hotels, Three Armored Cars, and Millions of Dollars Review

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(More customer reviews)"IN MY WORLD, YOU ARE EITHER THE HUNTER OR THE PREY, AND I AM THE HUNTER. VEGAS WAS MY PREY. I TELL MY CREW: VEGAS MAKES IT, VIGOA TAKES IT!"
** JOSE VIGOA **
The first thing for potential readers to comprehend is that this entire story is absolutely true! This is not some phony, unbelievable, implausible, mockery of a Vegas caper like the "OCEANS ELEVEN" (THE REMAKE) "OCEANS TWELVE" AND "OCEANS THIRTEEN" Hollywood movies. For a period of TWENTY-FOUR MONTHS AND NINE DAYS, STARTING ON MAY 28, 1998 a "storming" of Las Vegas occurred when SIX (and nearly seven) world-class hotels were "hit"! The Desert Inn was involved in an attempted robbery which failed as it escalated into a bloody firefight. The other casinos, armored car companies, and businesses suffered losses exceeding three-million-dollars. This entire rampage was accomplished by a crew of merely three and possibly four men led by the violent and cunning Cuban born, former Russian/Cuban special force soldier Jose Vigoa.
This improbable string of successful robberies in the absolute heart of the world renowned Las Vegas, Sin City, is even harder to grasp when you take into account that the hotels employ thousands of security personnel in addition to the Metropolitan Sheriffs and police. The hotels also utilize thousands upon thousands of cameras. Jose planned and approached each heist like a military operation. Some of the "interesting" things he found out is that the new modern non-mafia controlled hotels had become in his own words: "A SOFT TARGET." Armored car guards cannot brandish their weapons on casino property no matter how much money they're transporting, according to hotel policy. "Security employees, long the backbone of Vegas protection, were disarmed and ordered not to engage criminals with deadly force on hotel property, much less provide backroom retaliation." The newer hotels had open cashier cages without bars or even bulletproof glass. The city was in the midst of runaway growth, and as a result, the police department was seriously undermanned. All the while Jose researched every variable imaginable during his pre-robbery scrutiny. He would follow armored cars on their routes for months at a time. He rightly believed that faulty "getaway" plans is what hindered many would-be casino robbers. To prevent this problem, during two nighttime raids the "audacious gang" stole seventeen vehicles from a Thrifty Car Rental lot. The stolen cars were then dispersed in crucial spots of each escape route, so they could quickly change cars so the "APB's" would have law enforcement searching for the wrong cars. This scheme worked so well that after a couple of heists, the cops and FBI lost the trail so quick that Jose would go back to the crime scene and laugh at the investigation that was just started at the most recently robbed hotel.
How did Jose's well planned heists turn out? Well, let's use the MGM Grand Hotel as an example. "The MGM, at the corner of Las Vegas Boulevard and Tropicana Avenue, is not only the grandest complex in Las Vegas with its 170,000 square foot casino, 6.6 acre pool complex, four thirty-story towers, nine signature restaurants, and 5,044 guest rooms. It is also the biggest hotel in the world. Jose and his boys stole more than $1.5 million in currency and checks from the main cashier's cage in TWENTY-EIGHT-SECONDS!! On April 22, 2000 shortly before dawn, Jose sat by the slot machines in the NEW YORK-NEW YORK HOTEL AND CASINO and waited for the hotels two armed guards to collect money from the gaming tables. He then jumped out of his seat in front of a slot machine and pulled his .357 magnum chrome revolver out, and said, "Don't move to one, and told the other one to "Get out of here!". "I guess the guards knew who I was. They froze." One of his crew appeared from the other side with his gun drawn, picked up the smaller cart, and placed it on top of the main dolly. Then they simply pushed the cart through the casino and out the door.
Think this sounds like fiction? Well, the introduction states that the prosecuting attorneys cooperated with the author, and Jose from prison cooperated fully and even signed a release, wrote detailed reports, with color sketches and blue prints. Vigoa also permitted the author to interview his former wife and three daughters, and authorized the author, without restrictions, to view his legal records. This is a meticulously researched book. What also enhances this whirlwind trip through the greatest crime spree in modern times are hospital pictures of armored car drivers, pictures of shot up armored cars, pictures of arrests, hand drawn robbery plans by the criminal himself. *NOTE* It's almost humorous to see in the lower corner of some of the exhibits: "COURTESY JOSE VIGOA." You will not be able to put this book down and you will be shaking your head from side to side as the share enormity of these crimes hit you. I don't think anyone would believe it as a movie.

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