3/18/2011

Hotel Iris: A Novel Review

Hotel Iris: A Novel
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The beautiful cover of this slim novel, an hotel bedroom window looking over a wide sea, suggests a gentle romance -- something fleeting, a little sad perhaps, but tender. Ogawa's previous novel, THE HOUSEKEEPER AND THE PROFESSOR, about the affection between an old man, a young woman, and a child, leads one to expect a similar beauty here. And when this novel begins to sketch a tentative, courteous friendship between a lonely girl of seventeen working in her mother's seaside hotel and a much older man, one settles in for a bittersweet novella of romantic initiation such as might have been written by Elizabeth Bowen or Anita Brookner.
Wrong! But also right. For no matter where the story goes (and it takes us into some strange territory indeed) it retains some of those qualities of eager innocence, a bud that opens in the span of a single summer. But nothing about the book prepares the reader for the R-rated content. The girl, Mari, first encounters the older man (simply referred to as "the translator" since he ekes out a living translating from Russian) when her mother throws him out of the hotel after a noisy row with a prostitute. Bumping into Mari some days later, he is apologetic and almost old-fashioned in his meticulous courtesy; we assume that this was a one-time occasion that will not be repeated. But Mari, it seems, was equally attracted by the man's power and sense of danger. More than once, she lets him take her to his home on an island a short ferry-ride from the town, and all that happens there is embraced by her as much as by him.
Some readers may be disturbed by the explicit action. But the truly disturbing aspect is the clarity of the author's insight into Mari's mind. Ogawa refuses the easy categories of predator and victim. Short though the book is, she achieves an exquisite balance between innocence and experience that turns a four-star subject into a five-star achievement. I cannot help thinking that she must have taken Thomas Mann's DEATH IN VENICE as her model, inverting its viewpoint and moving it to Japan. She has written a worthy homage, if so.

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